John Piper - The Mountains of Wales
The drawn quality of these paintings is extraordinary - the delicate lines over washes of colour stand out well. The ones that I liked most had obvious tonal contrast, and rich rather than earthy colours. They were framed in different colours of frames, made of different materials. This actually worked well when the frames were correctly chosen as they brought out the best features of each painting. There was a particularly nice frame that I preferred to the painting; perhaps this was a bad choice. However, these works are part of private collections so would not have been chosen by the artist, and they still felt like a collection. The space they were in was quite dark and atmospheric; although adding to the drama of the work, it was difficult to see detail, and I had to get very close to the paintings to see everything clearly. This shows that lighting is extremely important when putting on an exhibition.
Richard Long - Land Art
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These collections of stones were presented in a wide open, neutral coloured space, which helped me to imagine the inspiration behind them; the Cairngorms mountain range. Because there were no barriers around the work, I could look closely at each individual stone to see its unique colour and shape. They were contained in their own room so there were no visual distractions, which was good. The path - like piece was placed in the centre of the room so that it led your eye towards the other one. This made the layout more interesting and made sure that my attention was focussed on both pieces from the start.