Monochrome drawing

As a source of inspiration, we were given 15 sentences such as ' draw a black cross' and 'a knitted line crosses the page' and asked to respond by drawing on 12 x 12cm cartridge paper squares, with black oil bar and a range of pencils.

          

Journeys Drawing Day

I chose to focus on images of boats and sweets to draw from, using the style and materials I worked with when sketching in Liverpool. To make interesting backgrounds I flicked watercolour paint onto the paper with a toothbrush, and added some pastel layers. Fine-liner pens made the subject bold and colourful; I aimed to create traditional drawings (representing the traditional theme of the docks) with candy colours (the Tate, sweet shops) to make new and interesting images.

   

                                       

I also experimented with paper weaving, mosaic and cut paper, in landscape and portrait formats. By arranging the finished drawings by colour, and then which looked best next to each other, I put together an irregularly shaped drawing collage. 

Liverpool Day Trip

Albert Docks in Liverpool is a visually fascinating place. Seen in the rain it glows red because of the brick used to build it and its painted columns, and while it contains the water, boats and related paraphernalia  you would expect to see, it now houses a world class museum, shops, restaurants and exhibits. This gives it a lively, buzzing feel, and walking round you don’t know what you’re going to see next.

  

 The ships are the first and largest objects to notice, coming in different shapes and sizes and lending history to a modernised space while implying journeys and movement.

An unexpected barge

Old and new

They contrast with the Tate building’s bold, bright colour scheme and the myriad of small boutiques on show; the patterns of colourful sweets, sparkling gems, and memorabilia draw you in from the harsh weather.  By looking beyond my initial impression of the docks (traditional and symmetrical) I found an exciting blend of surroundings to get lost in. By retaining this curiosity I hope to always find some interesting detail to draw or photograph, and look beyond the obvious to be surprised by new locations.

Jelly Belly sweets

Crystals with reflection of brickwork

Being out in the rain sped up my observation:  I was more instinctive when taking photographs and quicker to focus in on interesting sights and details than when I was inside. By trying to remember how it felt to need shelter, I can recreate this quick impulsivity and produce more dramatic, less careful work.

Also, by looking at contrasting objects and spaces the detail and nature of each is heightened; the Tate seems even more sleek and modern placed in an old setting, while the harbour feels more solid and weathered with new buildings added to it. I could use this juxtaposition technique in future to create a dynamic contrast and emphasise aspects of my work.

Kite Project

Our brief was to create a colourful kite, and I decided to make one with a conventional shape from unconventional materials. I deconstructed leaves and flowers to form the body, and using stems for support and wool for a string, stitched together a 'land kite'. It is designed to 'fly' on the land and in trees, camouflaged against leaves and grass or contrasting with them, depending which way it is placed. It also represents the changing of the seasons; the leaves retain their summer green while the petals take on autumnal shades as they fade and wither.