Albert Docks in Liverpool is a visually fascinating place.
Seen in the rain it glows red because of the brick used to build it and its
painted columns, and while it contains the water, boats and related
paraphernalia you would expect to see,
it now houses a world class museum, shops, restaurants and exhibits. This gives
it a lively, buzzing feel, and walking round you don’t know what you’re going
to see next.
The ships are the first and largest objects to notice, coming in different shapes and sizes and lending history to a modernised space while implying journeys and movement.
An unexpected barge |
Old and new |
They contrast with the Tate building’s bold, bright
colour scheme and the myriad of small boutiques on show; the patterns of
colourful sweets, sparkling gems, and memorabilia draw you in from the harsh
weather. By looking beyond my initial impression of the docks (traditional and symmetrical) I found an exciting blend of surroundings to get lost in. By retaining this curiosity I hope to always find some interesting detail to draw or photograph, and look beyond the obvious to be surprised by new locations.
Jelly Belly sweets |
Crystals with reflection of brickwork |
Being out in the rain sped up my observation: I was more instinctive when taking photographs
and quicker to focus in on interesting sights and details than when I was inside.
By trying to remember how it felt to need shelter, I can recreate this quick
impulsivity and produce more dramatic, less careful work.
Also, by looking at contrasting objects and spaces the
detail and nature of each is heightened; the Tate seems even more sleek and
modern placed in an old setting, while the harbour feels more solid and
weathered with new buildings added to it. I could use this juxtaposition
technique in future to create a dynamic contrast and emphasise aspects of my
work.
No comments:
Post a Comment